“A Working Class Writer is Something to Be” June 2 at 1.30pm The Listowel Arms Hotel
We read because we want to experience lives and emotions beyond our own, to learn, to see, with others’ eyes. Join us as Kit De Waal and Paul McVeigh engage in a lively discussion of the short story writing of working-class writers across the UK and Ireland. This event will be moderated by Deirdre Walsh.
Please do join us. You can check out the rest of the programme here.
In #the32 “Working-class clichés are dismantled” says the New Statesman
You can read the full review here.
The @FestivalUCD has over 100 *free* online events across science, arts, performance, wellbeing and more.
Paul McVeigh is the editor of The 32 – an upcoming collection of essays and memoir, bringing together sixteen well-known writers from working class backgrounds with an equal number of new and emerging writers from all over the island of Ireland. He’ll be in conversation with two of the featured authors Lisa McInerney and Michael Nolan.
Tonight at 10pm the Big Scottish Book Club hosted by Damian Barr includes Jessica Fellowes, Graeme Armstrong and me reading from our books and discuss class and Courtney Stoddart closes with a rousing poem – on BBC Scotland at the link below.
I talk about ‘The 32’ & ‘Common People’ from Unbound and ‘The Good Son’ from Salt Publishing.
I hopeyou enjoy you can catch it – of not lve then on BBC Iplayer.
A podcast of me interviewing Kit de Waal for Birmingham Literature Festival was released November 5th. We talk writing, why short stories are harder than novels, growing up working class and poor, and keeping writing despite rejections and bad feedback. I hope you enjoy our conversation.
Working-class stories are not always tales of the underprivileged and dispossessed.
Common People is a collection of essays, poems and memoir written in celebration, not apology: these are narratives rich in barbed humour, reflecting the depth and texture of working-class life, the joy and sorrow, the solidarity and the differences, the everyday wisdom and poetry of the woman at the bus stop, the waiter, the hairdresser.
Here, Kit de Waal brings together thirty-three established and emerging writers who invite you to experience the world through their eyes, their voices loud and clear as they reclaim and redefine what it means to be working class.
Features original pieces from Damian Barr, Malorie Blackman, Lisa Blower, Jill Dawson, Louise Doughty, Stuart Maconie, Chris McCrudden, Lisa McInerney, Paul McVeigh, Daljit Nagra, Dave O’Brien, Cathy Rentzenbrink, Anita Sethi, Tony Walsh, Alex Wheatle and more.
“Are you a new or emerging writer from a working class background? Would you like to be published alongside an Impac Award-winner, a Booker Prize-winner, two Sunday Times Short Story Award-winners, a senator, playwrights and poets? What about a professional development programme with the help of leading publishers and the Irish Writers Centre.”
Read all about it in my article in The Irish Times.
Paul McVeigh launches The 32: An Anthology of Irish Working Class Voices
Delighted that The 32 was covered by Hot Press. Here’s a taste…
Kevin Barry, Roddy Doyle and Lisa McInerney are among the contributors to the upcoming collection of essays.
Following the success of Kit de Waal’s Common People: An Anthology of Working Class Writers, Belfast author Paul McVeigh has announced the launch of The 32: An Anthology of Irish Working Class Voices on Unbound – the world’s first crowdfunding publisher.
Bringing together 16 published writers and 16 new voices to share their experiences of being working class in Ireland, The 32 will feature essays from Kevin Barry, Lisa McInerney, Roddy Doyle, Senator Lynne Ruane, Dermot Bolger, among many others.
Award-winning author Paul McVeigh, who featured in Kit de Waal’s Common People is set to edit the anthology.
“Too often, working class writers find that the hurdles they have to leap are higher and harder to cross than for writers from more affluent backgrounds,” states the project’s synopsis. “The 32 will see writers who have made that leap reach back to give a helping hand to those coming up behind.
“We read because we want to experience lives and emotions beyond our own, to learn, to see with others’ eyes – without new working class voices, without the vital reflection of real lives, or role models for working class readers and writers, literature will be poorer. We will all be poorer.”
Please consider pledging here.
The Good Son 