Join 2021 Short Story Judges Lucy Caldwell and Paul McVeigh in a lively conversation about submitting your work to Awards. Lucy and Paul will speak about their own experience of Awards – as writers and judges; the specificities of the Mairtín Crawford Award and practical approaches to assembling and presenting work for Submission.
Lucy and Paul will be in conversation for about 45 minutes, then spend 30 minutes responding to your questions.
Please note that questions must be submitted in advance. To submit a question please email BBFSubmissions@CrescentArts.org by 5pm on Wednesday 24th March. Please include in the email that the question is for the Short Story Workshop.
Can’t make the 27th? This workshop will be recorded and available to stream online afterwards.
This event is free to attend and registration is essential.
Lucy Caldwell is the author of four novels, including the forthcoming These Days (Faber, Spring 2022), two short story collections, including Intimacies, out this May, and several stage plays and radio dramas. A Fellow of the Royal Society of Literature, her awards include the Rooney Prize for Irish Literature, the Dylan Thomas Prize, the George Devine Award for Most Promising Playwright, a Fiction Uncovered Award and a Major Individual Artist Award from the Arts Council of Northern Ireland. In 2019, she edited Being Various, the latest volume in the ongoing Faber series of New Irish Short Stories.
Paul McVeigh‘s debut novel, The Good Son, won The Polari First Novel Prize and The McCrea Literary Award and was shortlisted for many others including the Prix du Roman Cezam in France. His short stories have appeared in Faber’s Being Various, Kit de Waal’s Common People, The Art of the Glimpse and have been read on Radio 4 and Sky Arts. He is associate director of Word Factory ‘the national organisation for excellence in the short story’ The Guardian, and he co-founded London Short Story Festival. Paul has edited Belfast Stories, Queer Love: Anthology of Irish Fiction and The 32: An Anthology of Irish Working Class Voices.
I created a lockdown writing competition with Ardoyne Youth Enterprise. There were three categories based on age with the theme Children of Lockdown. The prizes were awarded this week and I went to the offices to sign books and certificates. You can read the winning entires here.
This was a follow on from the videos I made of The Good Son for AYE during the first lockdown.
With thanks to Arts Council of Northern Ireland for supporting me during the making of those.
A podcast of me interviewing Kit de Waal for Birmingham Literature Festival was released November 5th. We talk writing, why short stories are harder than novels, growing up working class and poor, and keeping writing despite rejections and bad feedback. I hope you enjoy our conversation.
West Cork Literary Festival’s writing workshops are moving online and you can take at a workshop from the safety and comfort of your home. Thanks to the support of Cork County Council they can offer these workshops at 50% of their normal tuition fee. Course details and booking info.
I’ll be teaching for the wonderful TLC. Here’s the info from their site…
TLC is thrilled to announce the tutor for its Guardian-recommended Literary Adventure writing retreat 2020 is the award-winning novelist Paul McVeigh. Paul will be joining us September 5th-12th 2020 at the beautiful Casa Ana in the Alpujarra region of Spain. Groups are limited to a maximum of 12 writers, to allow writers the creative space and freedom to help develop their projects in a focussed and supportive environment. The retreat is open to writers of fiction and memoir with works in progress.
TLC Literary Adventures offers an environment where inspiration and improvisation meet. You will have access to world-class teaching, get a chance to work, read, listen, learn and relax in a stunning setting which will open the mind and senses. The retreat will include morning workshops, free writing time, readings, and optional afternoon sessions including a poetry workshop, a talk about the publishing industry, and a trip to a nearby village offering artisanal products. The week will end with a series of short, focussed one-on-one sessions, and a chance to share work written during the week with your fellow writers. Daily breakfasts, lunches, three 3-course chef cooked dinners at Casa Ana, and accommodation are included in the ticket price. A full programme including details on accommodation, location and booking can be found here, or you can email us directly: firstname.lastname@example.org.”
We’re pleased to be partnering with The Open University to bring a day of advice on the writing and publishing process. This full-day conference, held in the heart of Belfast, includes talks on various aspects of the writing journey from best-selling authors, a networking lunch and an informative interactive panel discussion with leading literary agents.
If you’re an aspiring writer with a manuscript and ready to submit, or simply at the beginning of your writing journey, don’t miss out on what promises to be a day essential to helping you work towards producing a publishable manuscript.
09.30-10.00: Registration and welcome teas and coffees
10.00-11.00: How to build a narrative with Paul McVeigh
11.00-11.20: Comfort break
11.20-12.20: Researching the story with Garrett Carr
12.20-13.30: Lunch break (lunch included)
13.30-14.30: Creating your protagonist with Geraldine Quigley
14.30-14.50: Comfort break
14.50-16.00: How to submit your work to agents and independent presses: practical tips from literary agent Nicola Barr and editor Patsy Horton
Heading out into the world for review are the proofs for the ‘Common People’ anthology edited by Kit de Waal. I’m delighted to have written my first piece of memoir alongside these wonderful writers…
Malorie Blackman OBE
Dr Dave O’Brien
The short story podcasts inspired by the border in Ireland and the WW1 centenary are now available to listen to online. They feature new writing by me, Garrett Carr, Claire Louise Bennett, Nuala O’ Connor and Women’s Fiction Prize-winner Kamila Shamsie.
The stories were commissioned by Verbal Arts and 14-18 NOW, the UK’s arts programme for the First World War centenary.