Reading and Q&A for Uni of Worcester

by University of Worcester Creative Writing Course

Join us to hear Paul McVeigh read from his novel ‘The Good Son’ and take part in a Q&A about his writing career and creative practice.

7.30 pm

16th February 2021

Free

Register to get sent an online link before the event.

This event is hosted by the Creative Writing course at the University of Worcester.

It is free to attend: designed to enable students, staff and members of the public to access authors reading their work and talking about their creative practice & writing careers.

Please register and you will then be sent the link before the event.

For more information please contact Ruth Stacey: r.stacey@worc.ac.uk

and follow us on Twitter to find out about future events: @uowriting


The Good Son:
 Won The Polari Prize & The McCrea Literary Award

“The Good Son is a work of genius from a splendid writer.”

Pulitzer Prize-winner Robert Olen Butler

“A triumph of storytelling. An absolute gem.” Donal Ryan

Praise for The Good Son:

“The Good Son gave us one of the most engaging protagonists of the year in Mickey Donnelly, who occupies a space between whimsy and horror in Troubles-era Belfast.” Bailey’s Prize-winner Lisa McInerney Top Reads of 2015 The Irish Independent

“When I think of exceptional working-class novels from the last few years, I inevitably think of Kit de Waal’s My Name Is Leon and Paul McVeigh’s The Good Son.” The Observer

“Paul McVeigh has written a first novel of beautiful generosity, poignant in the delicate manner in which he evokes the brutality of an era. A striking fresco, mixing historical upheavals and hardships of a family shattered.” Le Monde

“Blackly hilarious (with) one of the most endearing and charming characters I’ve come across in a long time.” ELLE Magazine Best of 2015

My Q&A with bestselling Mexican author Monica Lavin in The Irish Times

I met Monica Lavin on a trip to Mexico recently with The British Council. A huge star over there she is also a beautiful person. It was a pleasure to do this Q&A with her.

Q&A with bestselling Mexican author Monica Lavin about turtle dung, short stories versus novels, memory and migration

(Here’s just a little snippet…. head over to The Irish Times to read more.)

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Why the love for short story writing?

Because I read wonderful stories as a teenager: Chekhov, Bradbury, Hemingway, Cortazar, Borges, Rulfo. Latin American writers’ books were fresh, the writers were alive. That gave another dimension to what I had read before. When I was a child I thought all writers were dead people. Maybe that is one of the reasons I could not picture myself as one, even though I had been writing stories since I was 13 years old. I did not how to become a writer.

Does your writing have anything to do with your scientific background?

I think science and writing have to do with the desire to know. Science deals with objective truth, literature with relative truth. El Quijote taught us that. The short story aesthetic has more to do with mathematical equations – they have to be balanced: nothing extra, nothing missing. I love the silence of the short story.

Why did you started writing novels?

I always felt there was a question behind each short story – what if…? Now I know it is more than that, and what I thought would be a short story commanded several questions. I was dealing with multidimensional characters, several situations. I was in the grounds of the novel, and I plunged in. Now I write both. Short story writing is a way of thinking, so I always write them. I love the risk of both.

Don’t forget to check out the rest…. here.