We have our first live event for the anthology although it’s not out until next year. You can pre-order here.
Here’s the blurb from Cork!
Martin Doyle edits the books section of The Irish Times in print and online. He joined the paper in 2007, having previously been on the staff of The Times for five years and serving as Editor of The Irish Post in London.
Eoin McNamee has written two novellas, The Last of Deeds, which was shortlisted for the 1989 Irish Times/Aer Lingus Award for Irish Literature, and Love in History. His novels include Resurrection Man, later made into a film, The Blue Tango, which was longlisted for the Booker Prize, and Orchid Blue.
Rosaleen McDonagh is a writer, activist and performer. She is a frequent contributor to Sunday Miscellany, RTE Radio 1 and is a columnist for The Irish Times. She is a member of Aosdána and worked on gender based violence for over ten years with Pavee Point Traveller and Roma Centre.
Lynn Ruane is a social activist and politician who has served as a member of Seanad Éireann since April 2016. Before entering politics, she developed community drug services and community initiatives over 15 years in Tallaght and Dublin’s Canal Communities.. Her first book, People Like Me, won non-fiction book of the year at the Irish Book Awards.
Paul McVeigh has written comedy, essays, flash fiction, a novel, plays and short stories, and his work has been performed on radio, stage and television, and published in seven languages. The Good Son is his first novel.
I’m excited to be heading to Qatar soon for JLF Doha. Here are my events at the Qatar National Library.
Fri 13th, 6:20 PM TO 7:05 PM, SPECIAL EVENT AREA
Writing Conflict: Paul McVeigh, Ahmad Dallal, and Prayaag Akbar in conversation
In a world fraught with conflict, eminent writers speak of how they make sense of the disturbances and dystopias around us. Prayaag Akbar’s award-winning novel Leila, adapted into a popular Netflix series, addresses the ongoing conflicts in society. Paul McVeigh’s debut novel, The Good Son, tells the story of the Irish Troubles in turbulent Belfast. Writer and academic Ahmed Dallal has examined the conflicts of the Middle East.
2:55 PM TO 3:40 PM AUDITORIUM
What is Not Said: Celebrating the Short Story: Alex Shaw, Kaltam Jabor M. Al-kuwari and Paul McVeigh in conversation
The brevity of short fiction, illuminating transformative moments in life, eliminating all that is unnecessary, takes it to the heart of the reader. A session which investigates and celebrates the form and function of the short story. Conversations and contextual readings featuring Alex Shaw, author of the popular Aidan Snow SAS series, Kaltam Jabor M. Al-kuwari, the first Qatari women to author a collection of short stories, and Paul McVeigh, author of The Good Son and director and co-founder of London Short Story Festival, Paul McVeigh.
Ashok Ferrey, Chris Power, Namita Gokhale and Navtej Sarna in conversation with Paul McVeigh
The brevity of short fiction, illuminating transformative moments in life, eliminating all that is unnecessary, takes it to the heart of the reader. A session that investigates and celebrates the form and function of the short story. Conversations and contextual readings featuring Ashok Ferrey, author of short story collection The Good Little Ceylonese Girl; Chris Power, author of the short story collection Mothers; Namita Gokhale, Indian writer and Festival co-director; and Navtej Sarna, Indian diplomat and author of the short story collection Winter Evenings. In conversation with director and co-founder of London Short Story Festival, Paul McVeigh.
I’ll be appearing at the London Book Fair Wednesday, March 13th at the invitation of The British Council. I’m excited by the topic of the conversation and to talk to some Indonesian writers after my trip there to The George Town Literature Festival in 2018. Here are the details.
Laksmi Pamuntjak, Norman Erikson Pasaribu and Paul McVeigh; chaired by Phillip Kim
16.00-17.00, Cross Cultural Hub, Olympia
Indonesian writing today is becoming more bold, more inventive, and more determined to say the unsayable. How, through literary experiments, style and themes, are Indonesia’s writers tackling taboos and redefining norms? Laksmi Pamuntjak, author of The Question of Red – which counters the official government history of 1965; Norman Erikson Pasaribu, whose poems shine light on queer Indonesian life in the midst of erasure and oppression today; alongside Paul McVeigh whose writing touches on the complex layers of political oppression, violence and sexuality; discuss their personal reasons for writing on their chosen subjects, and the need to explore, and unsettle, the dominant narratives.
A unique listen-in-the-dark experience launching short story podcasts inspired by the border in Ireland, which feature new writing by Kamila Shamsie, Claire Louise Bennett, Nuala O’ Connor, Paul McVeigh and Garrett Carr, commissioned by Verbal and 14-18 NOW, the UK’s arts programme for the First World War centenary.
The evening will also feature a new creative audio documentaryabout the impact of WW1 on what would soon become the borderlands of Ireland, produced by the award-winning broadcaster Peter Curran.
Actor Eleanor Methven will read a selection of acclaimed Irish poetry on these themes throughout the evening, before a Q&A with some of the artists and writers including Garrett Carr, Nuala O’Connor and Paul McVeigh.
Wednesday 14 November, 7.00pm
Poetry Ireland, 11 Parnell Square East, Dublin 1
Tickets: Free – please RSVP to email@example.com if you’d like to attend.
It’s been an amazing year so far. I’ve appeared on panels with two of my heroes – George Saunders on BBC Radio 3 and Anne Enright at Livre sur le quais – and now I’ll be in three events with Claire Keegan at Singapore Writers Festival. I can’t wait.
With Cat Brogan, Deborah Emmanuel, Abby Oliveira, Deirdre Sullivan, & Julian Gough and Claire Keegan.
The pipes are calling… Irish writers, performance poets and musicians will gather for a bewitching evening of sonorous voices and beautiful turns of phrase. Six Irish artists will be joined by two Singaporean writers as they celebrate the magic of Ireland. The evening will be graced by Irish Ambassador Geoffrey Keating.
Panel Discussion – with Cat Brogan and Claire Keegan.
DATE / TIME: 4 Nov, Sat 11:30 AM – 12:30 PM
VENUE: National Gallery Singapore, Ngee Ann Kongsi Auditorium
The future will see Ireland geographically separated from the rest of the European Union by a post-Brexit Britain. Meanwhile, the refugee crisis and various causes of socio-political unrest continue to put pressure on an increasingly divided Europe. Where do the Irish see themselves in this volatile landscape? Two fiction writers and one performance poet discuss the impact of such upheavals on their writing, and how issues of migration, asylum and integration seep into their works.
A young character survives a difficult childhood and attains actualisation. That is the story at the heart of acclaimed novels and novellas by authors Claire Keegan, Deirdre Sullivan and Paul McVeigh. The three Irish writers will talk about the formal elements of their works, from characterisation to the evocation of mood and setting.
I interviewed Claire Keegan at Belfast Book Festival, Cork Short Story Festival and London Short Story Festival . This will be the first time I’ll be joining her as an author.
“How do you get the attention of agents and editors? How is a story selected from hundreds of competition entries? Paul McVeigh has been on both sides – a writer who now judges international competitions. In this workshop, find out what judges and editors look for and how to avoid the rejection pile.”
“You get one chance to make a first impression, and these authors did so with a splash! They take us on the journey from unpublished hopeful to bestseller lists, film deals and award ceremonies, and dare to take a look ahead at meeting the expectations that come with a dazzling debut.”
“Why is class such a taboo topic in the 21st century? It remains deeply embedded in most societies, yet many of us deny its existence with rhetoric around equal opportunity or meritocracy. Three writers who dare to speak its name take stock of how class plays out in their writing lives, both on and off the page.”