This Voice: Writing & The Working Class
- VENUE: Rua Red
- TIME: Wed 10 Oct, 7.00pm
- PRICE: €8/€5
![M11259---FB_Banner_AW[1]](https://paulmcveighwriter.com/wp-content/uploads/2018/08/m11259-fb_banner_aw1.jpg?w=676)
![M11259---FB_Banner_AW[1]](https://paulmcveighwriter.com/wp-content/uploads/2018/08/m11259-fb_banner_aw1.jpg?w=676)
I’m delighted to be working with Kit de Waal again. We read together at a festival in Morges and for the Royal Society of Literature in London. I’ve also interviewed her for The Irish Times. This time I’ll be interviewing her live in Belfast. Here’s the blurb…
The Crescent is delighted to welcome to Belfast, the author of the Costa shortlisted and Irish Novel of the Year award winning novel, My Name is Leon, Kit De Waal for a Belfast Book Festival Fringe event. She is joining us to discuss her latest novel, The Trick To Time; an unforgettable love story.
Birmingham, 1972. Mona is a young Irish girl in a big city, with the thrill of a new job and a room of her own in a busy boarding house. On her first night out in town, she meets William, a charming Irish boy with an easy smile and an open face. They embark upon a dizzying love affair, a whirlwind marriage, an unexpected pregnancy – before a sudden tragedy tears them apart.
Decades later, Mona pieces together the memories of the years that separate them. But can she ever learn to love again?
The Trick to Time is an unforgettable tale of grief, longing, and a love that lasts a lifetime.
‘Weaving tragedy and joy, big themes and the minutiae of life, this is a love story to take on the classics’ – Emerald Street
Kit de Waal, born to an Irish mother and Caribbean father, was brought up among the Irish community of Birmingham in the 60’s and 70’s. Her debut novel My Name Is Leon was an international bestseller, shortlisted for the Costa First Novel Award, long-listed for the Desmond Elliott Prize and won the Kerry Group Irish Novel of the Year Award for 2017.

Kit and me read together at a festival in Morges
10pm, Firkin Crane Theatre (€5)
Chris Power lives and works in London. His ‘Brief Survey of the Short Story’ has appeared in the Guardian since 2007. His fiction has been published in The Stinging Fly, The Dublin Review and The White Review. Mothers is his first book.
The Good Son, Paul McVeigh’s debut novel, won The Polari Prize and The McCrea Literary Award. It was shortlisted for The Authors’ Club Best First Novel Award, the Prix du Roman Cezam in France and a finalist for The People’s Book Prize. The Good Sonwas chosen as Brighton’s City Reads 2016 and was given out as part of World Book Night 2017. Paul has written comedy, essays, flash fiction, a novel, plays and short stories, and his work has been performed on stage and radio, and published in seven languages.
I’m delighted to have been invited to speak at the 12th edition of the ZEE Jaipur Literature Festival to be held from 24th to 28th January 2019.
Hosted at the heritage Diggi Palace, located in the heart of the Pink City of Jaipur, the Festival is among the world’s leading literary events attracting authors, publishers and book lovers from across the world. In 2018, it hosted over 350 speakers in 200 panels and represented over 25 languages, receiving over 4,00,000 footfalls in a span of 5 days.
The ZEE Jaipur Literature Festival provides a potentially life-changing opportunity for audiences from Rajasthan, across India and the world to learn from and exchange ideas with contemporary literary stalwarts.
I’m particularly delighted to be working with Festival Director Namita Gokhale again, after we co-judged the International Dylan Thomas Prize this year.
This trip is made possible by the support of the Arts Council of Northern Ireland.


“In the run up to the LSE Festival: Beveridge 2.0, rethinking the welfare state for the 21st Century, we bring together a panel to discuss the relationship between literature and poverty. They reflect on questions such as: do you need money to access literature? If not, why are there comparatively few working-class writers? And can literature actively play a part in reducing financial hardship?”
I’ll be sharing the stage with Kit de Waal again – we had a wonderful time at Le Livres sur les Quais in Morges, Switzerland, last year. Kit mentioned The Good Son in her article for the Guardian on working class literature this weekend. Kit also commissioned me for the Common People anthology currently 75% funded on Unbounders. I can’t wait.

Free Event!
I’ll be the Writer in Conversation filling the very large shoes of writers like Helen MacDonald and Jennifer Egan. It takes place in Southampton on Feb 19th. Know anyone in those parts? Please share.
You can check out the Facebook events page here.
Date & Time: Monday, February 19 at 7 PM – 9 PM
Venue: John Hansard Gallery, Gallery, Studio 144, 142-144 Above Bar Street, SO14

I’ll be teaching a three day short story course next May. Here’s a little more about it…
Workshop Theme:
Find out how to write ‘That Killer First Page’ and get the attention of editors and competition judges. Get feedback on your writing of that crucial opening and explore how to write complex and engaging short stories. You’ll also take a detailed look at using dialogue to further action and reveal character and the power of emotion to hook the reader.
You can pop over to their website to find out what else is on and book tickets.

FRANCO-IRISH LITERARY FESTIVAL Theme: Sexe, Sex, Gnea, 23, 24, 25 March 2018
I hope to see some you at this wonderful festival in Dublin which includes authors like Anne Enright, Rob Doyle and Lisa McInerney.
Event One: Panel discussion: An chéad bhlaiseadh / Like a virgin / Toute première fois
Time: Sat 24th March 12.15 to 1.15pm
Venue: Dublin Castle, Castle Hall
Moderator: Dominique Le Meur
WITH:
Event Two: Panel discussion: An 21ú céad: gnéas fíor nó fíorúil /The 21th Sex /Le 21e Sexe
Time: 12.15 to 1.15pm, Sunday 25 March
Venue: Alliance Française, 1 Kildare Street, Dublin 2
Moderator: Michael Cronin
WITH:

Writing Gender – Sexuality, Feminism and Masculinity
#BRITLITBERLIN, 25 – 27 JANUARY 2018
Registration is now open for the 33rd British Council Literature Seminar. Professor Bernardine Evaristo MBE will chair the seminar which this year will focus will be on gender diversity in contemporary UK writing.
Authors include: Juno Dawson, Kerry Hudson, Sabrina Mahfouz, Nick Makoha , Monique Roffey and me!
I hope to see some of you there.
More info…
“The 2018 seminar will be an exploration of some of the ways in which British writers are exploring gender and sexuality in the twenty-first century. We will look at the current conversations around gender identity that have been gaining ground in the mainstream recently, including the challenge to the social construction of gender binaries. As the spectrum and categories of transgender identities and LGBTQ+ sexualities continue to revolutionise how we define ourselves as humans, we will examine how this is being played out in literature. At the same time feminism has recently enjoyed a rebirth and gone mainstream. The post-feminist era is over and young women, in particular, are taking ownership of Fourth Wave Feminism, a shift as individualised as each proponent. We will ask how this is being addressed by writers of fiction and poetry, whose work appears to subscribe to a range of feminist ideas or ideals. We will ask how we can create literature that is complex and nuanced, while also being consciously political. As notions of masculinity and femininity are called into question, subverted, rejected and expanded, we will examine the decisions we make that informs our literature in this regard. Who and what do we write about? What fictional characters do we create, and why? What are the self-imposed limits that determine whether or how we write across gender and sexuality. And what are our responsibilities as writers when addressing these issues. Finally, what are the expectations imposed upon us by the reading public and the publishing industry to write from a perspective that correlates to our (cis) gender? (Bernardine Evaristo)”