‘We invited Salt authors Alison Moore and Paul McVeigh to discuss how they managed writing life post-publication.’
I’ve met Alison a number of times over the last few years and she is one of the loveliest people you could meet. It was amazing then that we ended up with the same publisher. Salt asked us to have a chat about ‘finding the balance’.
You can read the conversation on Salt’s website here.
“I devoured it in a day, but I’ve thought about it for many, many more.”
Bailey’s Prize-winner Lisa McInerney
“A triumph of storytelling. An absolute gem.”
Well, this is a corker.
Date Saturday 15 June 2019
Time 8:00 PM – 10:00 PM
Price£12 | £10
Venue: The Crescent Arts Centre
A Panel Discussion With Roddy Doyle, John Boyne & Kit De Waal Chaired By Paul McVeigh
Do fiction writers have a responsibility to engage with politics? The line between fiction and nonfiction is constantly blurred, especially in the post-truth climate of today. Fiction reflects the world around us, and the world around us at this particular moment in time is in crisis: politically, socially and culturally.
And so, in this tumultuous political climate, this panel will raise, and attempt to answer questions such as, whether fiction writers hold a responsibility to engage with and write about politics?; whether fiction can affect politics?; and whether all fiction is political?
Making up stories is an inherently political act, but that doesn’t mean that the stories are about politics. Does fiction have the ability to change minds? Come and enter into the conversation with these four writers as they discuss and shed light upon a question of pressing importance.
Hope to see some of you there.
RAISING THE BAR FOR NEW FICTION
FRI 26 APR 2019 8:00pm | €8/6
Kit de Waal and Anne Griffin will be in conversation with me.
“The Trick to Time is Kit de Waal’s second novel, taking place during the IRA pub bombings in Birmingham in 1974. Born in Birmingham to an Irish mother and an African-Caribbean father, de Waal began her writing career at the age of 45, after leaving school at 15. Seeking to address the under-representation of working-class voices in the arts, de Waal has established a creative writing scholarship.
Anne Griffin has worked with various charities following completion of a postgraduate diploma in Youth and Community Work. A recipient of the John McGahern Award for Literature, Griffin’s debut novel is When All Is Said. The protagonist is 84-year-old Maurice, who sits at a bar and toasts five individuals who have most profoundly impacted on his life in five internal monologues.
7.30pm: Join us for a pre-event whiskey tasting event from Master of Malt and discover the wonderful world of Irish whiskey through the distilleries while remembering the characters beautifully brought to life in Anne Griffin’s poignant bestselling novel, When All Is Said. Whiskies from Midleton and Bushmills showcase the incredible spectrum of flavours found in Ireland’s favourite drink and reflected in the toasts raised by character Maurice Hannigan to his loved ones in When All Is Said.”
I’ve written the introduction to Toby Binder’s wonderful photo book ‘Wee Muckers’ which is launched in Munich tonight! The book is a series of photographs of working class youths in Belfast.
German TV, Das Erste 1, flew over to do an interview with me and I took them around Ardoyne, where I grew up and where The Good Son is set.
You can watch the TV segment here (in German). You can buy Guter Junge (German translation) or The Good Son in English here.
Delighted to be appearing at the Cork World Book Fest again this year. More news to follow… save the date!
On the day of the ceremony on BBC Radio 4 Front Row I go behind the scenes of the BBC National Short Story Award with one of its founders and BBC Radio Books Editor Di Speirs. Find out all you need to know about the judging process in Irish Times Culture.
“Over the last few years I’ve worked with a number of literary awards and prizes, and it’s been an education. The behind-the-scenes processes have varied quite significantly. To illustrate with one example; for the £30,000 International Dylan Thomas Prize we read the longlist of twelve books then re-read our chosen shortlist of six, for the Edge Hill Short Story Prize we didn’t read the longlist only the five collections on the shortlist, for the Seán Ó Faoláin International Short Story Prize I was the only judge and reader, tackling around 750 short stories.
This year I was asked to be an ambassador for the BBC National Short Story Award. I first worked with the award a few years back for an event at the London Short Story Festival, which I co-founded and programmed. Now in its 13th year, the award has become a landmark on the short story landscape in the UK and internationally. I have long been a fan of their excellent website, for podcasts and recordings of previous winners and specially commissioned short stories from the best writers in the form. On that note, a little known astonishing fact, BBC Radio 4 is the world’s biggest single commissioner of short stories, attracting audiences of over a million listeners to short fiction.
Due to its unique and powerful position, at times, questions are asked about access to the BBC’s short story feast. As I watched the twitter reaction to the news of the fifth all-female shortlist and the issues raised re its selection process, I realised there were some questions even I had about the way the award worked.
I used my role as ambassador to gain an interview with Di Speirs, founding judge of the award and BBC’s editor of books, who has gone into detail about every step of the judging process, and shares her love for the short story form.”
Head here to read the interview.