We’re delighted that Patrick Cotter has joined the residency. The three winners will go to Cork to meet with Patrick where they can ask him about the industry. Patrick is Director of Munster Literature Centre and Cork International Short Story Festival and has invaluable advice about approaching festivals and what’s expected of you when you’re there.
Patrick Cotter has published many books of poetry, most recently Quality Control at the Miracle Factory (Dedalus, 2025). He is a recipient of the Keats-Shelly Poetry Prize and has been short-listed for many others. His poems have been translated into twenty languages. His poems have been published in the Financial Times, London Review of Books, Poetry and over twenty anthologies. He lives in Cork.
For more info on the Paul McVeigh West Cork Residency click here.
So happy to be returning to this festival. Hope to see some of you there. Tickets here.
Peter Bradshaw & Paul McVeigh
9.00pm, Cork Arts Theatre | €5
Peter Bradshaw is an author and critic who has been chief film critic for The Guardian since 1999 and is also contributing editor of Esquire UK. His most recent publication is The Body In the Mobile Library and Other Stories and in addition he has written three novels and an edited selection of his Guardian reviews entitled The Films That Made Me. He also writes for radio and television and is currently co-writing a drama-thriller for Channel Four TV entitled I Am Not Alice Bell. He lives in London with his wife and son.
“Bradshaw relishes the grotesque and improbable; his set-ups are outrageously inventive … Characters are sympathetically drawn and their longings, insecurities, vanities and weaknesses feel all too credible.” — Emma Beddington
Paul McVeigh‘s short stories have been in numerous anthologies including Being Various, The Art of the Glimpse and Common People. They have also appeared in The London Magazine, The Stinging Fly, The Irish Times, on BBC Radio 3, 4, 5, RTÉ Radio 1, and Sky ARTS. His ten-part short story series, The Circus, aired on BBC Radio 4 in 2023 and was repeated on BBC Radio Ulster and BBC Radio Foyle. His debut collection of radio stories, I Hear You, was published by Salt in March 2025. Paul co-founded the London Short Story Festival and was associate director of Word Factory, described by The Guardian as ‘the UK’s national organisation for excellence in the short story.’
“This is a world of escape artists and fraudsters, of body swaps and comedy cuckoos, of misfits and trespassers of every ilk … where else would you want to be than amongst the outliers, where the tender, the vulnerable and the brave reside?” — Bernie McGill
(Moderator) Patrick Holloway’s debut novel, The Language of Remembering, is published by Epoque Press (2025). He is the winner of the Bath Short Story Award, The Allingham Fiction Prize, The Flash 500 Prize and The Molly Keane Creative Writing Prize. He is an editor of the literary journal The Four Faced Liar.
Lucy Caldwell is the author of two short story collections, several stage plays and radio dramas, and four novels, including the forthcoming These Days (Faber, March 2022). She is also the editor of Being Various: New Irish Short Stories (Faber, 2019). A Fellow of the Royal Society of Literature, a former Fellow of the Seamus Heaney Centre at Queen’s University, Belfast, awards include the Rooney Prize for Irish Literature, the Dylan Thomas Prize, the George Devine Award for Most Promising Playwright, and a Major Individual Artist Award from the Arts Council of Northern Ireland. Her most recent collection Intimacies was described by Kevin Barry as “A tremendous collection. Precise and beautifully controlled fictions but with strange, wild energies pulsing along just below their surface,” and by Derry Girls writer Lisa McGee as “Heart-stoppingly good.” She was named by the Sunday Times as “one of Ireland’s most essential writers.”
Jan Carson is a writer and community arts facilitator based in Belfast. Her first novel, Malcolm Orange Disappears, was published in 2014 to critical acclaim, followed by a short-story collection, Children’s Children(2016), and two flash fiction anthologies, Postcard Stories (2017) and Postcard Stories 2 (2020). Her second novel, The Fire Starters (2019), won the EU Prize for Literature and was shortlisted for the Dalkey Novel of the Year Award. Her work has appeared in numerous journals and on BBC Radio 3 and 4. She has won the Harper’s Bazaar short-story competition and has been shortlisted for the BBC National Short Story Award and the Seán Ó Faoláin Short Story Prize. She specializes in running arts projects and events with older people, especially those living with dementia.
Paul McVeigh‘s debut novel, The Good Son, won The Polari First Novel Prize and The McCrea Literary Award and was shortlisted for many others including the Prix du Roman Cezam in France. His short stories have been read on BBC Radio 3, 4 & 5 and on Sky Arts. They have appeared in print in journals such as The Stinging Fly, and numerous anthologies including Faber’s Being Various: New Irish Short Stories and The Art of the Glimpse. He is associate director of Word Factory, ‘the UK’s national organisation for excellence in the short story’ (The Guardian), and he co-founded the London Short Story Festival. He was co-editor of the Belfast Storiesanthology and was fiction editor at Southword Journal. He edited The 32: An Anthology of Irish Working Class Writers, which includes new work by Kevin Barry, Roddy Doyle and Lisa McInerney.
Queer Love: An Anthology of Irish Fiction is a new publication from Southword Editions which seeks to go some way to redress the lack of acknowledgement of the LGBTQI+ community in Irish literary anthologies, with a mixture of established writers of international standing, writers who have been making a splash in recent years and new emerging writers. The anthology has a mixture of previously published stories, newly commissioned work and those entered through our call out. Featuring stories by John Boyne, Emma Donoghue, Mary Dorcey, Neil Hegarty, James Hudson, Emer Lyons, Jamie O’Connell, Colm Tóibín, Declan Toohey, and Shannon Yee.
Emma Donoghue, born in Dublin in 1969, is an award- winning novelist, playwright and screenwriter, living in Canada with her family. Her novel The Pull of the Stars became a bestseller in the US (New York Times), Canada, Ireland and Britain on publication in July 2020. Room was shortlisted for the Man Booker and Orange Prizes and has sold over two million copies. She adapted the novel into her first feature film, Room, directed by Lenny Abrahamson, which was nominated for four Academy Awards for Best Adapted Screenplay, Best Director, Best Picture, and Best Actress (won by Brie Larson). Her short-story collections include Astray, Three and a Half Deaths (UK ebook), Touchy Subjects, The Woman Who Gave Birth to Rabbits, and Kissing the Witch.
Declan Toohey is from County Kildare. His writing has appeared in Soft Punk, The Dublin Review of Books, The Blue Nib, Stone of Madness Press, and the anthologies Queer Love and Brevity is the Soul, among other outlets. Earlier this year, he was a co-winner of the IWC Novel Fair, and his debut novel, Perpetual Comedown, is forthcoming with New Island Books.
Shannon Yee is an award-winning writer and producer. Her perspectives as an immigrant, ethnic minority, queer artist-parent with a disability living in NI are deeply embedded in her work. Shannon has received a number of awards and grants, including the ACNI Major Individual Artist Award (2017). Her Reassembled, Slightly Askew sonically immerses audiences in her autobiographical experience of nearly dying and subsequent acquired brain injury (www.reassembled.co.uk) , touring locally, nationally and internationally in arts festivals and medical training settings since 2015. Shannon’s published short stories are ‘The Brightening Up Side’( Belfast Stories; Doire Press, 2019), and ‘Thumbnails’ (Queer Love: An Anthology of Irish Fiction; Southword Editions, 2020). Her first dance film, Pandemic Parenting: Pandemonium, will be aired this autumn on BBC as part of the Culture in Quarantine commissions.
Paul McVeigh‘s debut novel, The Good Son, won The Polari First Novel Prize and The McCrea Literary Award and was shortlisted for many others including the Prix du Roman Cezam in France. His short stories have been read on BBC Radio 3, 4 & 5 and on Sky Arts. They have appeared in print in journals such as The Stinging Fly, and numerous anthologies including Faber’s Being Various: New Irish Short Stories and The Art of the Glimpse. He is associate director of Word Factory, ‘the UK’s national organisation for excellence in the short story’ (The Guardian), and he co-founded the London Short Story Festival. He was co-editor of the Belfast Storiesanthology and was fiction editor at Southword Journal. He edited The 32: An Anthology of Irish Working Class Writers, which includes new work by Kevin Barry, Roddy Doyle and Lisa McInerney.
Image credits: Paul McVeigh photographed by John Minihan
Niamh Campbell was born in 1988 and grew up in Dublin. Her short fiction and essays have appeared in The Dublin Review, 3:AM, Banshee, gorse, Five Dials, and Tangerine. She was awarded a Next Generation literary bursary from the Arts Council of Ireland, and annual literary bursaries in 2018 and 2019. She holds a PhD in English from King’s College London and is a current postdoctoral fellow for the Arts Council of Ireland at Maynooth University. Her debut novel This Happy was published by Weidenfeld and Nicolson in 2020. She was the winner of the 2020 Sunday Times Audible Short Story Award. She lives and works in Dublin.
Kit de Wall was born in Birmingham to an Irish mother, who was a childminder and foster carer and a Caribbean father. She worked for fifteen years in criminal and family law, was a magistrate for several years and sits on adoption panels. She used to advise Social Services on the care of foster children, and has written training manuals on adoption, foster care and judgecraft for members of the judiciary. Her writing has received numerous awards including the Bridport Flash Fiction Prize 2014 and 2015 and the SI Leeds Literary Reader’s Choice Prize 2014 and the Kerry Group Irish Novel of the Year. MY NAME IS LEON, her first novel was published in 2016 and shortlisted for the Costa Book Award. She has two children and lives in the West Midlands.
Paul McVeigh has written comedy, essays, flash fiction, a novel, plays and short stories, and his work has been performed on radio, stage and television, and published in seven languages. The Good Son is his first novel.
We have our first live event for the anthology although it’s not out until next year. You can pre-order here.
Here’s the blurb from Cork!
Martin Doyle edits the books section of The Irish Times in print and online. He joined the paper in 2007, having previously been on the staff of The Times for five years and serving as Editor of The Irish Post in London.
Eoin McNamee has written two novellas, The Last of Deeds, which was shortlisted for the 1989 Irish Times/Aer Lingus Award for Irish Literature, and Love in History. His novels include Resurrection Man, later made into a film, The Blue Tango, which was longlisted for the Booker Prize, and Orchid Blue.
Rosaleen McDonagh is a writer, activist and performer. She is a frequent contributor to Sunday Miscellany, RTE Radio 1 and is a columnist for The Irish Times. She is a member of Aosdána and worked on gender based violence for over ten years with Pavee Point Traveller and Roma Centre.
Lynn Ruane is a social activist and politician who has served as a member of Seanad Éireann since April 2016. Before entering politics, she developed community drug services and community initiatives over 15 years in Tallaght and Dublin’s Canal Communities.. Her first book, People Like Me, won non-fiction book of the year at the Irish Book Awards.
Paul McVeigh has written comedy, essays, flash fiction, a novel, plays and short stories, and his work has been performed on radio, stage and television, and published in seven languages. The Good Son is his first novel.
Chris Power lives and works in London. His ‘Brief Survey of the Short Story’ has appeared in the Guardian since 2007. His fiction has been published in The Stinging Fly, The Dublin Review and The White Review. Mothers is his first book.
The Good Son, Paul McVeigh’s debut novel, won The Polari Prize and The McCrea Literary Award. It was shortlisted for The Authors’ Club Best First Novel Award, the Prix du Roman Cezam in France and a finalist for The People’s Book Prize. The Good Sonwas chosen as Brighton’s City Reads 2016 and was given out as part of World Book Night 2017. Paul has written comedy, essays, flash fiction, a novel, plays and short stories, and his work has been performed on stage and radio, and published in seven languages.
Sept 14, 4pm, Grand Parade Library, Cork Free event
I’m judging The Seán O’Faoláin Prize for the second year in a row. I’ll be giving out the prize at the Cork International Short Story Festival. Here’s the event blurb…
The Seán O’Faoláin Prize is awarded to the best single story entered in competition from anywhere in the world. The first prize is €2000. The winner also receives a week’s residency at the Anam Cara artist retreat in West Cork and publication of their winning story in Southword. The winner, if they choose to travel to Cork for this event, also receives accomodation with meals for the duration of the festival, a masterclass scholarship and entry into all events. This occasion is an opportunity to hear the winning story and the judge’s citation from Paul McVeigh.
The Good Son, Paul McVeigh’s debut novel, won The Polari Prize and The McCrea Literary Award. It was shortlisted for The Authors’ Club Best First Novel Award, the Prix du Roman Cezam in France and a finalist for The People’s Book Prize. The Good Son was chosen as Brighton’s City Reads 2016 and was given out as part of World Book Night 2017. Paul has written comedy, essays, flash fiction, a novel, plays and short stories, and his work has been performed on stage and radio, and published in seven languages.
Billy O’Callaghan & Alan McMonagle In Conversation
Another video has been released from Cork International Short Story Festival 2017. Here I chair an event on the short stories of these award-winning authors.