Radio 4 Short Story: Do you believe?

I’m not one for talking about my personal life online – that’s another story – but on occasion something smashes that self-made separation.

Recently, it was the first year anniversary of my mother’s passing. Not long after came the news that an old friend’s mother had died, a woman I had felt very close to over the last 30 years.

This was followed soon by my mother’s birthday and then by Mother’s Day. All in a matter of weeks. It seemed mothers were in my air. My atmosphere. It was hard.

On Mother’s Day, I woke and decided to walk up Cave Hill. I thought. I came back and cooked a rare Mother’s Usual Sunday Roast for one. I opened the wine before one. I played Doris Day. I sang loudly. For hours. I sang for my mum. I sang in celebration. I sang in remembrance. I sang because of her. I sang in defiance of my neighbours. I sang in vanity.  I sang, as the saying goes, my heart out. There were not a few tears.

I woke to two messages on Monday morning. Both talked about my story Tickles, written in 2014, before my novel came out, aired again, without my knowledge, on Mother’s Day. The story is about a man visiting his mother in a home. She has dementia. She hugs him and won’t let him go. In that forced fit, he time-travels (we call it remembering), and finds that, although she is the one with the disease that dissolves time and memories, he is the one that had forgotten, the key to understanding the fracture in their relationship. There is pain, there is remembering and then healing.

I don’t believe in God. I believe in little that has not been in front of my eyes, at some point, and I’d have included that which fuzzes in the corner but disappears in full gaze.

Do you believe in coincidences? Do I? What is it I just felt? Is it a thing people call God?

Here is something I wrote. You can hear it for the next month.

 

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The 32: Call Out in Irish Times

“Are you a new or emerging writer from a working class background? Would you like to be published alongside an Impac Award-winner, a Booker Prize-winner, two Sunday Times Short Story Award-winners, a senator, playwrights and poets? What about a professional development programme with the help of leading publishers and the Irish Writers Centre.”

Read all about it in my article in The Irish Times.

You can apply here.

Listen to me on BBC’s ‘The Ticket’

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Listen to me on BBC’s ‘The Ticket’

Where I read from The Good Son, talk to Katy about books, World Book Day and The 32.

“On World Book Day, Kathy’s guests are writer Paul McVeigh, the cast of youth drama Crusaders and actor Matt Cavan. There’s music from Emma Horan, Johnny Fitch and the Leading Ladies, and Karishma Kusurkar has the pick of the podcasts.”

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“I devoured it in a day, but I’ve thought about it for many, many more.”
Bailey’s Prize-winner Lisa McInerney
“A triumph of storytelling. An absolute gem.”
Donal Ryan

Keep Your Overheads Low

“Q. What’s the most important lesson about money which your career in writing has taught you?
A. Keep your overheads low.”

This and other gems here…  in the Independent.ie 

Plus – come along to West Cork Literary Festival and take my novel course. You’ll also get to see amazing writers like… Roxane Gay, Cynan Jones, Eimear McBride & Paul Muldoon.

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“I devoured it in a day, but I’ve thought about it for many, many more.”
Bailey’s Prize-winner Lisa McInerney
“A triumph of storytelling. An absolute gem.”
Donal Ryan

 

 

Appearing at Mountains to Sea Festival

Belfast Stories with Wendy Erskine and Lucy Caldwell & chaired by Paul McVeigh

dlr LexIcon Library and Cultural Centre, Saturday March 28th, 1.30pm.

As editor, of ‘Belfast Stories’ anthology, I’ve been asked to chair this wonderful event. I do hope some of you can come.

“Chaired by novelist Paul McVeigh, we are pleased to welcome two of Belfast’s most compelling voices, Wendy Erskine and Lucy Caldwell for discussion and readings from Belfast stories. This collection of short fiction presents a composite view of local life which invites us to view Belfast afresh through the imaginations of some of its finest writers. Join us and hear each of our guests pay homage to contemporary Belfast in all its vivacity, multiplicity, and complexity.

Wendy Erskine lives in Belfast. Her debut collection of stories, Sweet Home, was published by The Stinging Fly Press in September 2018. It will be published by Picador in the UK in June 2019. Her stories have also been broadcast on BBC Radio 4 and on RTÉ Radio One.

Lucy Caldwell is the multi–award winning author of three novels, several stage plays and radio dramas and, most recently, two collections of short stories: Multitudes(Faber, 2016) and Intimacies (forthcoming, Faber, 2020). She is also the editor of Being Various: New Irish Short Stories (Faber, 2019). Awards include the Rooney Prize for Irish Literature, the Irish Writers’ and Screenwriters’ Guild Award, the Commonwealth Writers’ Award (Canada & Europe), the Edge Hill Short Story Prize Readers’ Choice Award, a Fiction Uncovered Award, a K. Blundell Trust Award and a Major Individual Artist Award from the Arts Council of Northern Ireland. She was elected a Fellow of the Royal Society of Literature in 2018.

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West Cork Literature Festival

The first batch of world-famous West Cork Literary Festival writing workshops are now on sale. I’m honoured to say I’ll be teaching the novel week long workshops (July 13-17) alongside the incredible Paul Muldoon for poetry and Cynan Jones for short story. 

This year the festival will also host Anne Enright, Roxane Gay and Eimear McBride among many others.

The last time I was a West Cork it was wonderful and I met so many amazing writers and did events with Eoin McNamee, Glenn Patterson and Liz Nugent.

Here’s the blurb for my week-long novel course – click here for more info. 

“Over the five days you will look at how to grow your story idea into a novel that grips your reader from start to finish. You will look at that crucial opening that hooks the reader, how to keep the narrative momentum going through that difficult middle and lead to a satisfying ‘inevitable surprise’ of an ending. You will look at creating believable complex characters that stand out and stay with your reader, the many uses of dialogue and how to find your voice. You will explore world building, the importance of setting and how it can become another character in your story. If you are happy to you can share your work-in-progress and get constructive problem-solving focused feedback. The course will finish with advice on what every debut novelist needs to know, covering agents, building a readership and an online presence, making industry connections and a behind-the-scenes look at those coveted literary prizes.”

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Lyra McKee piece for The 32: Anthology of Irish Working Class Voices

Lyra McKee piece for The 32: Anthology of Irish Working Class Voices

Two bits of exciting news – ‘The 32: An Anthology of Irish Working Class Voices’, which I’m editing, has received a huge donation of £3,000 from the wonderful people behind The Spaniard Belfast, Muriel’s Kitchen, Panama Belfast and new owners of The Chester Bar.

I have also secured a piece of writing by Lyra McKee who had agreed to be in the anthology before her tragic death. You can read all about it in the Belfast Telegraph article by Claire McNeilly.

“I met Lyra through Anna Burns, the Booker Prize winner, and the three of us had lunch together – three working class Ardoyne authors from three different generations,” he said.

“She told me her book was coming out and I spoke to her about being part of the anthology – that was before her book deal – and then, heartbreakingly, the tragedy happened.

“I recently talked to her publishers, who are bringing out a new book from her next month, and after I explained the back story, they are now giving me an unpublished piece of her writing to include, which is really amazing.”

Please pledge here to help make this book happen: unbound.com/books/32/.

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