Teaching at Seamus Heaney HomePlace

That Killer First Chapter with Paul McVeigh – July 6th

Have an idea for a novel and don’t know where to start? Have you finished your novel and want to make sure you get the attention of agents, editors and publishers? This course will help you write a gripping first chapter that avoids the rejection pile.

With lots of no-nonsense advice and practical exercises, this course sold out in London and internationally. Felicity Yap came to the class and her novel Yesterday sold for six figures just two weeks later.

Paul’s debut novel, The Good Son, won The Polari First Novel Prize and The McCrea Literary Award and was shortlisted for many others, including the Prix de Roman Cezam in France. The novel was chosen for Brighton’s City Reads and given out around the UK as part of World Book Day. He has written for radio, stage, and television and regularly for The Irish Times. His writing has been translated into seven languages.

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“I devoured it in a day, but I’ve thought about it for many, many more.”
Bailey’s Prize-winner Lisa McInerney
“A triumph of storytelling. An absolute gem.”
Donal Ryan

Me, John Boyne, Kit de Waal & Roddy Doyle

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Well, this is a corker.

The Politics Of Fiction

Date Saturday 15 June 2019
Time 8:00 PM – 10:00 PM
Price£12 | £10
Venue: The Crescent Arts Centre

A Panel Discussion With Roddy Doyle, John Boyne & Kit De Waal Chaired By Paul McVeigh

Do fiction writers have a responsibility to engage with politics? The line between fiction and nonfiction is constantly blurred, especially in the post-truth climate of today. Fiction reflects the world around us, and the world around us at this particular moment in time is in crisis: politically, socially and culturally.

And so, in this tumultuous political climate, this panel will raise, and attempt to answer questions such as, whether fiction writers hold a responsibility to engage with and write about politics?; whether fiction can affect politics?; and whether all fiction is political?

Making up stories is an inherently political act, but that doesn’t mean that the stories are about politics. Does fiction have the ability to change minds? Come and enter into the conversation with these four writers as they discuss and shed light upon a question of pressing importance.

Hope to see some of you there.

Appearing at NAWE Conference

Paul McVeigh to read at the NAWE Conference

‘Paul McVeigh will be the guest reader, in York, on Saturday 9 November 2019.

Paul’s debut novel, The Good Son, won The Polari First Novel Prize and The McCrea Literary Award and was shortlisted for many others including the Prix du Roman Cezam.

Paul wrote plays and comedy with his shows touring the UK and Ireland including the Edinburgh Festival and London’s West End. His short stories have been in The Irish Times, The London Magazine, Faber’s ‘Being Various’, Kit de Waal’s ‘Common People’, on BBC Radio 3, 4 & 5 and Sky Arts. He co-founded the London Short Story Festival.

Paul also writes for The Irish Times and his work has been translated into seven languages.’

“I devoured it in a day, but I’ve thought about it for many, many more.”
Bailey’s Prize-winner Lisa McInerney
“A triumph of storytelling. An absolute gem.”
Donal Ryan

JLF London at British Library

What Is Not Said: Celebrating the Short Story

Ashok Ferrey, Chris Power, Namita Gokhale and Navtej Sarna in conversation with Paul McVeigh

The brevity of short fiction, illuminating transformative moments in life, eliminating all that is unnecessary, takes it to the heart of the reader. A session that investigates and celebrates the form and function of the short story. Conversations and contextual readings featuring Ashok Ferrey, author of short story collection The Good Little Ceylonese Girl; Chris Power, author of the short story collection Mothers; Namita Gokhale, Indian writer and Festival co-director; and Navtej Sarna, Indian diplomat and author of the short story collection Winter Evenings. In conversation with director and co-founder of London Short Story Festival, Paul McVeigh.

June 16 – 1:45PM TO 2:45PM MUGHAL COURTYARD

“I devoured it in a day, but I’ve thought about it for many, many more.”
Bailey’s Prize-winner Lisa McInerney
“A triumph of storytelling. An absolute gem.”
Donal Ryan

 

 

Stories in Two Anthologies

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I’m a wee bit excited to be in two anthologies released this week.

‘Being Various’ is the latest in the Faber series of Irish short story anthologies. Edited by Lucy Caldwell, it contains my new short story ‘The Swimmers’.

The other is ‘Common People: An Anthology of Working Class Writers’ edited by it de Waal. It has my first piece of memoir called ‘Night of the Hunchback’.

I hope you enjoy them. 🙂

 

 

Me, Kit de Waal, Lucy Caldwell & Eimear McBride

News Flash: Book one of Word Factory’s Summer events (here: https://bit.ly/2Wjzjc9) and email your booking info to cathy@thewordfactory.tv and they’ll give you a place at our FULLY BOOKED Irish Embassy event in June featuring Eimear McBride, Kit de Waal, Lucy Caldwell and Paul McVeigh. More info about the event here: https://bit.ly/2GHtZbv

Hurry – this offer is limited to 20 tickets!

WORD FACTORY PRESENTS:

Being Various: New Irish Writing at the Irish Embassy

Readings and conversation with Eimear McBride, Kit de Waal, Lucy Caldwell and Paul McVeigh

A fantastic opportunity to share an evening with some of the finest Irish writers of our time.

What distinguishes nationality? Lucy Caldwell addresses this key question as editor of Being Various, New Irish Short Stories(Faber). Her vivid anthology explores a multi-cultural country at a transitional point in history, depicting lives and a sense of belonging in Ireland and also relevant to us all.

Word Factory is delighted to celebrate the anthology at a wine reception hosted by the Irish Ambassador Adrian O’Neill and Cathy Galvin at the Irish Embassy in London on Thursday 27th June 6pm-9pm.

Please note: though the event is free, it is vital to book your place in advance so that your name can be added to our special guest list.

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