Cork Word Book Festival w/ Kit de Waal & Anne Griffin

RAISING THE BAR FOR NEW FICTION

FRI 26 APR 2019 8:00pm | €8/6

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Kit de Waal and Anne Griffin will be in conversation with me.

“The Trick to Time is Kit de Waal’s second novel, taking place during the IRA pub bombings in Birmingham in 1974. Born in Birmingham to an Irish mother and an African-Caribbean father, de Waal began her writing career at the age of 45, after leaving school at 15. Seeking to address the under-representation of working-class voices in the arts, de Waal has established a creative writing scholarship.

Anne Griffin has worked with various charities following completion of a postgraduate diploma in Youth and Community Work. A recipient of the John McGahern Award for Literature, Griffin’s debut novel is When All Is Said. The protagonist is 84-year-old Maurice, who sits at a bar and toasts five individuals who have most profoundly impacted on his life in five internal monologues.


7.30pm: Join us for a pre-event whiskey tasting event from Master of Malt and discover the wonderful world of Irish whiskey through the distilleries while remembering the characters beautifully brought to life in Anne Griffin’s poignant bestselling novel, When All Is Said. Whiskies from Midleton and Bushmills showcase the incredible spectrum of flavours found in Ireland’s favourite drink and reflected in the toasts raised by character Maurice Hannigan to his loved ones in When All Is Said.”

Book here.

 

My Work on Sky Arts TV

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‘Postcards From the Future’ is part of Arts 50, an exploration what it means to be British today.

I was commissioned to write and perform my piece at The Barbican, also part of their Open Fest, and it was aired this week on Sky Arts. You can watch the whole week of shows, or the episode with me here.

The shows include new work from many artists including Simon Armitage, John Godber, Nitin Sawhney, Lemn Sissay, AL Kennedy and me!

The show also includes clips from a discussion, ‘The Voice of Britain’, with John Godber, Jonathan Maitland, Lemn SissayMartha Barnett, Dreda Say Mitchell and me, to look at Britishness today from a writers point of view.

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On Brexit

A collection of Irish authors have responded to Brexit in the Irish Times today. Mine begins…

“One positive thing for Northern Ireland is that Brexit has actually made it visible. Mostly it feels like a little desert island and we jump up and down trying to get the attention of passing aircraft.”

And ends…

“…the whole damn place needs a gaying up!”

Head over the read the full text and the rest of the responses.

“I devoured it in a day, but I’ve thought about it for many, many more.”
Bailey’s Prize-winner Lisa McInerney
“A triumph of storytelling. An absolute gem.”
Donal Ryan

 

 

Judging The Polari Book Prize

In 2016 I won The Polari First Book Prize for The Good Son and it was an incredible experience.

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This year there is a new prize – The Polari Book Prize and I will be one for the judges – check out the information for both below.

“Founded in 2011, The Polari First Book Prize is awarded annually to a writer whose debut book explores the LGBT+ experience, whether in poetry, prose, fiction or non-fiction. The prize is open to writers born or resident in the UK and Ireland.

Previous winners include Fiona Mozley, Saleem Haddad, Paul McVeigh, Kirsty Logan, Diriye Osman, Mari Hannah, John McCullough and James Maker. The Prize is sponsored by leading literary PR consultancy FMcM Associates. Prize money is £1,000.

For 2019, the award-winning LGBT+ literary salon is adding a second prize. The Polari Book Prize will be awarded to a writer at any stage of their publishing career (other than debuts). Writers must identify as LGBT+ or the work must feature LGBT+ themes and characters.

In its inaugural year, The Polari Prize will be sponsored by D H H Literary Agency, with the winner receiving a cheque for £2,000. Entry for the prize includes a submission fee of £25 per title.

Judges for the new prize include critically-acclaimed author Bernardine Evaristo, CEO of the National Centre for Writing Chris Gribble, award-winning author and comedian VG Lee and author and former winner of The Polari First Book Prize Paul McVeigh.

Judges for this year’s Polari First Book Prize are bestselling novelist Kiki Archer, writer and performer Cerys Evans, author and former Head of Literature & Spoken Word at Southbank Centre Rachel Holmes and previous Prize winner John McCullough. Entry is free.

Both panels will be chaired by author and Polari founder Paul Burston.

 

Books for both prize must have been published in English by a writer born or resident in the UK and Ireland. Books must have been published in the 12 months up to February 1, 2019. Self-published works are eligible. Works should be submitted by the publisher, while self-published works should be submitted by the writer with a covering letter explaining why the book was self-published.

The deadline for submissions for both prizes is April 10, 2019. For further information, please email Paul Burston

 

The longlists will announced on June 10 and the shortlists on July 26.

The winners will be revealed in October 2019 as part of the London Literature Festival at the Southbank Centre.

Winners will be offered headline slots at future Polari events.

 

Terms & conditions

 

Entry for The Polari First Book Prize is free.

Entry for The Polari Book Prize is £25.

 

Any eligible book that is entered for the Prize shall not qualify unless its publisher/author agrees:

 

a. that in the case of The Polari Book Prize, the publisher/author will contribute a submission fee of £25 per title. This payment is to be made promptly within seven days by BACS.

 

b. to provide a short bio and high resolution author photo for each book submitted – no later than May 31.

 

c. to invite longlisted authors to the public shortlist event on July 26 at the Southbank Centre and shortlisted authors to the award ceremony at the London Literature Festival in October, also at the Southbank Centre (date TBC). Publishers/authors will be responsible for travel costs and will do their best to ensure attendance.

 

d. that if an entered book should be longlisted, the publisher will obtain permission from the copyright holder and agree to broadcast, record and/or make available a downloadable audio and/or text file extract, to be used for publicity purposes on the website, mobile site and any other partner websites or platforms, and to inform the Society of Authors of the copyright credit to be used.

 

e. that if an entered book should be shortlisted, the publisher will endeavour to facilitate recorded interviews/readings with the author to be used by the Polari Prize on either web or mobile platforms to promote the Prize.

 

f. that if an entered book should be shortlisted, the publisher will do their best to ensure the author’s attendance at the Prize award ceremony.

Eligibility for The Polari First Book Prize

 

a. The prize is open to any writer whose first book explores the LGBT+ experience, whether in poetry, prose, fiction or non-fiction.

b. Writers must be born or resident in the UK and Ireland.

 

Eligibility for The Polari Book Prize

 

a. Any full length novel, novella, short story collection, memoir, biography or book of poetry written in English by a writer born or resident in the UK and Ireland is eligible.

 

b. Writers must either identify as LGBT+ or explore LGBT+ subjects, themes and characters in the work submitted. Books by LGBT+ writers writing in all genres are actively encouraged, whether they feature LGBT+ characters or not.

 

c. All entries must be submitted in print form. Where books exist only in e-book format, a bound printed copy will be accepted. E-books or PDFs will not be accepted.

 

d. All entries must be first published as a print edition in the United Kingdom or Ireland between 2 February 2018 and 1 February 2019,

but may have been previously published outside the UK. Titles with simultaneous UK / US publications within this timeframe are eligible.

 

e. Self-published books are eligible for the Prize. Submission must include a covering letter explaining why the work was self-published.

 

f. Authors / publishers are reminded that it is their responsibility to ensure that all submitted titles meet all other requirements for the prize.

Submissions

 

There is no limit on the number of eligible titles entered by any one publisher.

The following steps should be taken for titles to be considered:

 

a. By April 5, 2019 Publishers should contact the chair of judges via email expressing their intention to submit.(In the case of the Polari Prize, the submission fee of £25 per title will then be sent via BACS and the judges’ addresses will be forwarded for submission.)

 

b. By April 10, 2019 Publishers should ensure that all books have been received by the judges.

 

Teaching for Faber Academy

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I’m honoured to be teaching at the excellent Faber Academy from June. Here’s a little bit about the course…

“Wherever you are, whenever suits you, start your novel the right way with six months of structured learning and constructive feedback on your first 15,000 words

28 Weeks – Spend time on your novel, and get it done

Two-Week Sessions – Fit your writing around your other commitments

Small Group – Get to know your fellow writers and their novels

Virtual Classroom – A private space designed specifically for teaching and learning writing skills

One-to-one Feedback – Detailed personal critiques from our tutors, on Skype or over the phone

Regular, Frequent Peer Review – Honest responses from people you trust on your work-in-progress

Focus On Your Novel – No academic essays, no stylistic exercises, just your book

Application Process – To make sure you get the highest quality peer group

24-Hour Tech Support – So you never need to worry that you can’t log in

Find out more today:

Click here to find out what you can expect from your tutor;

Contact us to find out if it’s right for you.”

“I devoured it in a day, but I’ve thought about it for many, many more. ”
Bailey’s Prize-winner Lisa McInerney
“A triumph of storytelling. An absolute gem.”
Donal Ryan

German TV for ‘Wee Muckers’

I’ve written the introduction to Toby Binder’s wonderful photo book ‘Wee Muckers’ which is launched in Munich tonight! The book is a series of photographs of working class youths in Belfast.

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German TV, Das Erste 1, flew over to do an interview with me and I took them around Ardoyne, where I grew up and where The Good Son is set.

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You can watch the TV segment here (in German). You can buy Guter Junge (German translation) or The Good Son in English here.

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I’m chairing Iain Archer, Lucy Caldwell, and ‘Derry Girls’ writer Lisa McGee

An Evening with Iain Archer, Lucy Caldwell, and Lisa McGee, chaired by Paul McVeigh.

The three Seamus Heaney Centre Fellows for 2019, Iain Archer, Lucy Caldwell, and Lisa McGee will reflect on their diverse creative practices, in conversation with writer Paul McVeigh.

This is the closing event for the Writing Through Conflict symposium, hosted by the School of AEL and the Seamus Heaney Centre at Queen’s, in partnership with National Museums NI.

Iain Archer is a Grammy nominated musician from Bangor, who has written and produced for artists such as Snow Patrol, Jake Bugg, Liam Gallagher and James Bay. He has received two Ivor Novello Awards and a third nomination. As well as his critically acclaimed solo career, Iain is a member of the band Tired Pony.

Lucy Caldwell is an award-winning Belfast-born author of three novels, several stage plays and radio dramas, and a collection of short stories. She is the editor of Being Various: New Irish Short Stories (Faber, 2019).

Lisa McGee is a stage and screen writer from Derry, she studied Drama at Queen’s University Belfast. Her plays include The Heights, Nineteen Ninety Two, and Girls and Dolls, and Jump, which has been adapted into a film. Lisa is the acclaimed writer and creator behind the hit Channel 4 sitcom’s London Irish and Derry Girls.

Date And Time: Tue, 5 March 2019, 18:00 – 19:00

Location: Ulster Museum, Belfast BT7 1NG

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Maria Edgeworth Festival

The Maria Edgeworth Festival and society produce events celebrating the legacy of Maria Edgeworth – this is very exciting to me as I read Castle Rackrent at university. They also promote and celebrate the rich cultural and literary heritage of County Longford. This year is the 400th anniversary of the arrival of her family to Edgeworthstown. I’m delighted to be judging their short story competition (and giving out the prize at the fest), teaching a class and reading from my work.

Here’s my events…

11th May 2019

11.00 a.m. – 1.00 p.m. Short Story Workshop with Paul McVeigh (click to book)
Venue: The Old Schoolhouse, Edgeworthstown

8.00 p.m. Anniversary Celebration (click to book)
Venue: The Manor Church, Edgeworthstown
Poetry and Short Story Readings, featuring Nuala O’Connor and Paul McVeigh
Story & Song with Aidan O’Hara
Music and song with Eleanor Quaine and Comhaltas Ceoltoiri Eireann.
Presentation of prizes to competition winners.
Refreshments served

Check out the rest of the events here…

“I devoured it in a day, but I’ve thought about it for many, many more. ”
Bailey’s Prize-winner Lisa McInerney
“A triumph of storytelling. An absolute gem.”
Donal Ryan