Birmingham Literature Festival with Kit de Waal & Osman Yousefzada

Birmingham, the city that raised me: Kit de Waal & Osman Yousefzada

****PLEASE NOTE: the time of this event as printed in the programme is incorrect. The event is 7pm – 8pm. Oct 7th.****

Two memoirs set in the same part of Birmingham: geographically, very close – but culturally, miles apart.

Kit de Waal grew up to a white Irish mother and Black Caribbean father in 1960s Springfield, South Birmingham, with 4 siblings, not enough
food and huge expectations imposed by her Jehovah’s Witness mother. Not 3 miles away, 15 years later, Osman Yousefzada grew up in a
closed-off Pakistani immigrant community where everyone knew his and his family’s business and he and his siblings – especially
his sisters – were under permanent scrutiny.

Kit and Osman join us at Birmingham Literature Festival in the year both their memoirs have been published to talk about their childhoods in the city, their families, and how that set them on the track to stride out and break with expectations to forge their own careers and lives.

Chaired by Paul McVeigh

Sponsored by Newman University

About the speakers:

Kit de Waal is the author of the novels My Name is Leon, which was shortlisted for the Costa First Novel Award and won the Kerry Group Irish Novel of the Year, and The Trick to Time, which was longlisted for the Women’s Prize for Fiction, and a short story collection, Supporting Cast. She is also editor of the Common People anthology, and co-founder of the Big Book Weekend festival. My Name is Leon was adapted as a one-hour film for BBC1, and broadcast in June 2022 to rave reviews.

Osman Yousefzada was born in Birmingham to migrant parents who are illiterate in English and their mother tongue. He is an interdisciplinary artist and designer who studied at SOAS and Central Saint Martins, and went on to obtain an MPhil at Cambridge University. He has exhibited at international institutions including the Whitechapel Gallery, Dhaka Art Summit, V&A and more. The Osman Yousefzada clothing line is worn by celebrities including Beyoncé, Lady Gaga, Lupita Nyong’o, Thandiwe Newton, Gwen Stefani, Emma Watson, Freida Pinto and many more.

Book Now

Free Event August 12th Belfast

Buy here

Award-winning novelist and playwright Paul McVeigh is no stranger to producing anthologies such as The 32

Following the success of Belfast Stories which he co-edited, McVeigh has delivered once again with The 32, described as an ‘intimate and illuminating collection of memoires and essays that celebrates workingclass voices from the island of Ireland’. A number of contributors from the book will participate in the Scribes event, chaired by the book’s editor Paul McVeigh.

Without these working-class voices, without the vital reflection of real lives or role models for working-class readers and writers, literature will be poorer. We will all be poorer. 

This event is hosted by Stories@theDuncairn, a volunteer-led, community literary project, in partnership with the Greater New Lodge Community Festival and Féile an Phobail. All welcome!

You can read here.


My Essay in ‘Impermanence’ Picked by Reviewers

My essay Sixteen, commissioned by editors Neil Hergarty and Nora Hickey M’Sichili for the Centre Culturel Irelandais, in Paris.

“Novelist Paul McVeigh, author of The Good Son, recalls what it was like to grow up in Belfast during the Troubles as he came to realise he was attracted to both boys and girls, a state of affairs which, he notes with admirable understatement, “made life difficult for me”.

The liminal spaces here are sexual. “I was one way, I was the other. I was both. Now, mostly, I am neither.”

McVeigh unpicks too his attempts to navigate class divisions, another subject that is too little explored in writing about the North, where sectarian divides loom larger. The point is that nothing is ever entirely one thing or another. It’s both. It’s neither. It’s something else entirely.” Writes Eilis O’Hanlon in the Irish Independent.

“Paul McVeigh suggests a vocabulary for this molecular disruption in his experience as a young person from the Ardoyne discovering himself, and others, in the Ulster Youth Theatre. “Everything I am now is made from some dust of then,” he writes, an ash that falls on many of the essays.” Nicolas Allen writes in The Irish Times.

Impermanence Essay Collection Review


A great review by Eilis O’HanIon of the ‘Impermanence’ essay collection edited by Neil Hegarty and Nora Hickey M’Sichili published by No Alibis Press and the Centre Culturel Irlandais.

It includes an essay from me as quoted here by Eilis;

Novelist Paul McVeigh, author of The Good Son, recalls what it was like to grow up in Belfast during the Troubles as he came to realise he was attracted to both boys and girls, a state of affairs which, he notes with admirable understatement, “made life difficult for me”.

The liminal spaces here are sexual. “I was one way, I was the other. I was both. Now, mostly, I am neither.”

You can read the whole review here.

Review in The Morning Star

‘Class prejudice holds back working-class talent’

‘Radical changes are required in the publishing industry for working-class writers to overcome the multiple challenges they face in a sector from which they are largely excluded, posits GAVIN O’TOOLE’

You can read the full article here which is review of an event with me, Kit de Waal and Donal Ryan at Listowel Writers Week.

Buy Here

A New Essay Published in ‘Impermanence’

“Impermanence” is a new publication of 12 essays by writers from or living in Northern Ireland.

Written against the backdrop of Brexit, the Covid pandemic, the burning of Notre Dame, and the centenary of the partition of Ireland, the writing included here on the theme of impermanence both raises and answers a wide variety of questions and will be engaging reading for anyone with an interest in the state of Irish writing today.

Essays by

Jan Carson, Susannah Dickey, Carlo Gébler, Neil Hegarty, Nandi Jola, Gail McConnell, Brian McGilloway, Susan McKay, Henrietta McKervey, Maria McManus, Paul McVeigh and Kerri ní Dochartaigh.

Commissioned by the CCI and published by No Alibis Press with the support of ACNI, BCNI, Culture Ireland and DFA.

Appearing at Primadonna Festival with Joanne Harris & Kit de Waal

I’ll be chairing an event with Joanne Harris author of 20 novels & journalist, editor and interviewer Sarah Shaffi. Pretentious? Moi?! ‘In this light-hearted session, we look at the heavy-handed writers who allow their imaginations to be overruled by their egos, and think about how to avoid the pitfalls of authorial pretension.’

The second event also sounds like a lot of fun.

Dear Kit and Paul… ‘Need help? Why not join our literary agony Aunt and Uncle, Kit de Waal and Paul McVeigh as they offer advice and solutions to all of your writerly (and other) problems.’

You can buy your festival tickets here.

This year’s lineup includes Jordan Stephens of hip hop duo Rizzle Kicks; bestselling author and screenwriter Juno Dawson; podcaster Viv Groskop; screenwriter and author Abi Morgan (The Iron Lady, Suffragette, The Split); social media influencers Alex Light and Natalie Lee aka StyleMeSunday; superstar musician La Roux; multiple-award winning writer and Primadonna Kit de Waal; TV presenter and writer June Sarpong; Sunday Times bestselling-author Cathy Rentzenbrink; top crime writer Erin Kelly… and many more famous names and emerging talent from the world of books, entertainment and music. Plus walkabout Alice in Wonderland, late-night disco sessions, pop-up dance classes, nature walks, stand-up and loads of things for kids to do. And if you’re a writer (or want to be) Primadonna offers you the chance to rub shoulders with agents, authors and publishers or take our ‘MA’. And loads more still to announce!

Chairing Wendy Erskine & Bernie McGill at JHISS ’22

Celebrating the Short Story with Wendy Erskine & Bernie McGill

in conversation with …Paul McVeigh

Wednesday 27th July at 1.30pm Market Theatre, Armagh.

Wendy Erskine’s first collection, Sweet Home, (2018) was shortlisted for the Edge Hill Prize and the Republic of Consciousness Prize, and won the 2020 Butler Literary Award. In her new collection, Dance Move, we meet characters who are looking to wrest control of their lives, only to find themselves defined by moments in their past. In these stories – as in real life – the funny, the tender and the devastating go hand in hand.

“Truly magnificent. These stories buzz with life and verve and humour. A collection that reminds us how glorious the short story can be.” Danielle McLaughlin

Bernie McGill

Bernie McGill has written two novels, The Butterfly Cabinet and The Watch House, which was shortlisted for the 2019 Irish/European Union Prize for Literature, a collection of short stories, Sleepwalkers, and two plays, The Weather Watchers, and The Haunting of Helena Blunden. Her short fiction has been shortlisted for numerous awards and is anthologised widely. Her latest collection of short stories is This Train is For, published by
No Alibis, June 2022.

“[Bernie] McGill writes about life, love and telegraphy with a poet’s clarity.” The Sunday Times

For the full festival programme go here.

You can still listen to my short story ‘Dady Christmas’ on BBC Radio 4 here.

The Good Son 3rd Editon
You can buy here

Winner of The Polari First Novel Prize

‘A triumph of storytelling. An absolute gem.’ Donal Ryan

Raw, funny and endlessly entertaining’. Jonathan Coe

‘The 32’ Event in Belfast June 15

The 32: An Anthology of Irish Working Class Voices

At Áras Uí Chonghaile, 15th June 7pm. ‘Our panel will disucss the challenges they faced as working-class writers and their journey to getting their voices heard in the literary world.’

Registerinfo@arasuichonghaile.com

Me, Dr Michael Pierse and working class writer Kate Burns.